Theatre Halll
Auditorium
A hall for 281 persons (236 seats on the ground floor, 45 on the balcony) elliptical rows in elevation. The auditorium is equipped with an induction loop for the hearing impaired from rows 4 to 13. The stage and row 4 have wheelchair access. Mobile platform seating for disabled audience members is located in the row 3, seats 1 through 4. A maximum of one ISO standard translation booth can be installed behind the row 13 without removing seats. The auditorium is equipped with basic 50 ohm cabling for IR interpreting radiators on the ground floor and balcony and RGB+W LED lighting in twelve zones.

Stage
– Width: 7,2m
– Total depth behind the portal: 16m, depth of the proscenium to the curtain 4.5m
– Maximum clearance above the stage: 7.4m without light battens
The stage is not equipped with a flyloft.
– Width of proscenium arch: 7.3 m
– Height of proscenium arch: the position of the raised front bridge is adjustable in seven positions: from +2m to +5.6m
– Stage floor: wooden, black semi-matt
– Curtain: dark blue velvet, extending into side pockets, electrically operated with adjustable speed 0-800 mm/s. The curtain can be controlled by the ITEMS control system or locally at the stage right from stage manager desk.
– Revolving stage: diameter 7 m, static load capacity 500 kg/m2, dynamic load capacity 100 kg/m2, circumferential speed 0 to 1100 mm/s. The revolving stage is equipped with a switchboard with 400V/32A/5 P and 230V/16A connection points. The mobile section has 6 dimmable circuits, controlled by wireless DMX (SRS Lighting W-DMX LR) and Cat6 data link available. The possibility of safely placing rack components up to a maximum of 4 HU.
– Trap mechanism: 1 piece, placed in optional positions in the turntable, 0.9 x 0.9 m, electrically operated with adjustable speed 0 – 300 mm/s.
– Stage hoists: 21 pieces of point hoists in three horizontal rows with 2m spacing – half-roped pear with removable weight and pulley ∅ 80mm, load capacity 200 kg, electrically controlled lift and forward travel. Maximum lift height +7.4m, lift speed 0-600 mm/s, travel speed 0-130 mm/s. The minimum fore-aft distance between the pears of two hoists is 0.8m. The maximum length of the bar/pipe is 8m.
– Number of battens in front of the curtain: 3, capacity 160 kg, electrically operated, maximum lift height +7m, lift speed 0-600mm/s.
– Number of point hoists above the proscenium stage: 5, capacity 200 kg, electrically operated, maximum lift height +7m, lift speed 0- 600mm/s. N5 batten, and N6A+N6C point hoists are equipped with 1stand 2nd light battens.
– Orchestra lift: 3 separate pieces, dynamic load capacity 100 kg/m2, static load capacity 500 kg/m2, electrically controlled hydraulic aggregate, lifting speed 200 mm/s, arresting positions from +0 m to -2 m in steps of 200 mm, additional positions -2.5 m and -5.4 m
– Orchestra pit: approx. 40 m2 in position -2.5m, equipped with camera for SDI stage monitors.
– Scenery elevator (floor of the rear stage): 5.9 x 3.5 m, dynamic load capacity 100 kg/m2, static load capacity 500 kg/m2, electrically operated, adjustable from +0 to -5.4 m, stroke speed 0- 100 mm/s, comb drive. Possibility of controlling the stage lift by the ITEMS control system or locally. Stage door 3.6 x 3.6m on Květinářská street at -5,4 m level. Access is via Masarykova Street. A permit is required for cars to enter the pedestrian zone in Masarykova street and Zelný trh square.
– Rear of stage: equipped with a manually movable horizon in a forward and backward direction, with two catwalks and sliding cover panels.
– Side covering (legs): designed with solid, non-removable side panels with the possibility of lifting up to +2,5m. Lifting speed 100 mm/s, rotation speed 0.1 rpm. The panels are equipped with M8 static decoration fixing points.
– Power supply connection points: at the stage right 400V/63A/5P and 400V/32A/5P
– Connection points for the power supply of a TV broadcasting vehicle: in the area near Květinářská street, 2x 400V/63A/5P, with two separate electricity meters
– Other: at the stage right connection points for waste water, hot and cold water, fitted with GEKA bayonet quick couplers. Stage decks TUCHLER HANDY.
– Motion control system: DRIVECONTROL ITEMS with two control panels and variable connection points. . Safety integrity level 3. Possible synchronization using SMPTE LTC linear time code. Sharing the position of all controlled devices in the PosiStageNet protocol.
– Communication system: RTS ODIN OMNEO with the possibility of five wireless beltpacks, CUE Light SYSTEM ETC. Two separate stage manager desk´s equipped with LTC reader, clock and stage camera system.
Backstage facilities
The performers enter from the area below the stage, the dressing rooms are on two floors below the auditorium. The performers’ dressing rooms are not barrier-free.
– 4x solo dressing room for two people
– 6x ensemble dressing rooms for 10-15 people
– make-up room for 4 persons
– all dressing rooms are equipped with speakers from the stage and speakers of thestage manager’s communication system
– dressing rooms are equipped with monitors with an eight-channel internal TV circuit
Lighting technology
RedutaLightplot 2022
– Control board: MA Lighting GrandMA3 Light with remote control
– 6x Robe DL7S profile
– 4x Robe Spider
– 4x Robe Robin LEDwash 800
– 1x Robe RoboSpot with independent RoboSpotMotionCamera, possibility of remote control (follow spot) of up to 12 Robe intelligent lights simultaneously
– 4x Robe AnolisArcLine
– 4x Art Lighting Asterion II
– 4x Art Lighting L4F
– 2x smoke Factory Data II
– 2x fog Look Unique 2.1
– 1x MDG ATMe haze generator
– 2x stroboscope 1,5-3kW
– 228 dimmable circuits 2kW
– 6 dimmable circuits 5kW
– 90x Strand Lighting SL 19°,26°, 36°,15/32°, 23/50°
– 6x Selecon SPX 25/50°
– 40x ETC S4 ParNEL 25/45°
– 6x boom lighting (3pcs ETC S4 Junior 25/50°)
– possibility to equip the revolving stage with dimmable circuits, maximum 12 x 1kW
– Complete dimmer and DMX signal distribution solution from SRS Lighting:
– 2x DSR 10
– 3x DST 4
– 3x W-DMX
– 19x NDP 1213 RCK
– 1x NDP 6025 RCK
– 1x DDP 610 (revolving stage)
– 6x PDP 4006-8 with W-DMX LR (boom lighting)
– 2x PDP 4006-8
– 1x DDP 1213
– 15x ALD 3D24 (auditorium lighting)
– DMX splitters supporting RDM (SRS, TS DIMMERS)
– Maximum of four separate DMX lines from the live post to the stage
– DMX controlled LED power supplies, 12x 120W/24V and 12 x 240W/12V, XLR 4-pin, for controlling lighting built into the scenery.
Sound technology
Redutasoundvision
Auditorium
– Full L, C, R system, consisting of 28 L-Acoustics KIVA II
– separate sub-bass cluster consisting of 8 L-Acoustics SB15m with beam steering and 4 KS21.
– surround system consisting of 10 L-Acoustics X8 with separate operation
– all speakers driven by L-Acoustics LA4X amplifiers
– operation according to SMPTE 202-1998, SMPTE RP 200-2002 (X-Curve)
Livepost
– Soundcraft Vi 3000 mixing console with remote control (iOS),
– SoundcraftRealtime Rack effects unit including 87 plugins (UAD)
– Redundant Dante (PA) and MADI (stage, wedges, FX) audio distribution
– QLab audio play back software
– 16 channels Shure Axient Digital AD4Q wireless system, including ShowLink AD610-E remote control, UA845UWB antenna signal distribution and LI-ION SBRC SB900 and SB910M charging stations
– MOTU, Universal Audio, Roland sound cards
– measurement kit with iSEMcon calibrator
Stage
– Soundcraft Vi Stagebox 32/16
– Soundcraft Compact Stagebox 32/16
– Soundcraft Vi 2000 mixing console
– 12x Shure AD1 with TA4F bodypack
– 4x Shure ADX1M microbodypack with LEMO
– 12x Shure AD2 hand with KSM8, KSM9, BETA 87A, BETA 87C inserts, or compatible as required
– Shure Beta 57, Beta 87, Beta 52, Beta 98 microphones
– AKG C451, C547, C430
– 3x DPA KIT 4099 (2x classic, 1x rock)
– 10x DPA d:screet 4061
– 8x DPA d:fine 4188 head set
– 14x K&M microphone tripod
– 6x in ear monitoring Shure P9T with P9RA+
– wedges: 4x L-Acoustics X8, 2x X12, 4x X5
– 10 channel side fill/ambiophonic system consisting of L-Acoustics X5, X12, X15 HiQ, SB15m, SYVA, SYVA LOW.
– 4x Dante AD/DA converter Neutrik NA2-IO-DPRO
Projection and imaging technology
– 1x Sanyo PLC-XF1000 projector, 12,000 ANSI lm, XGA lenses S03, S02, W03, W02
– 1x Panasonic PT-DW830, 8,500 ANSI lm, WXGA, ET-standard 1.8-2.5:1 and ET-DLE250 2.3-3.6:1 lenses
– 2x NEC M350XS projector, 3,500 ANSI lm, XGA, ultra-short throw 0.47:1
– 2x Panasonic PTVMZ 51, WUXGA, 5200 ANSI lm, 1.9-1.77:1
– Direct control of shutters and functions in Sanyo and Panasonic projectors via RS232 using SRS Lighting iGENT and HDBaseT communication.
– 1x mechanical Wahlberg DMX shutter
– Resolume Arena 6 & 7 media server, up to 8 SDI outputs or inputs possible
– Surtitling software Subtivals 1.9.0, displaying text in SubStation Alpha(*.ass), Subrip( *.srt), DCP (*.xml) and plain text (*.txt – UTF-8 encoding) formats. Possible wireless display of subtitles as html content on viewers’ devices.
– 1x Blackmagic ATEM television studio HD production switcher
– 1x Blackmagic ATEM Mini Pro ISO switcher
– 3x HDMI/HDBaseT extender kit Kramer TP 580
– maximum number of simultaneous video lines from the live post to the stage: 3x HD SDI, 6x LAN Cat5
– PANASONIC AG-CX 350 camera
– Wireless SDI/HDMI video transmission set SWIT Flow 500
– Liliput SDI monitors
– Dante AV Patton FPX 6000 multichannel audio transmission and decoding kit
Projection surfaces
– 1x projection frame screen AV Stumpfl VARIO 64, for front projection 7m x 5m (w x h)
– 1x projection screen Tuchler BLACK PEARL, matte black, for rear projection 7,5m x 6m
– 1x projection screen Tuchler BLACK PEARL, matte black, for rear projection 7m x 5.5m
– 1x projection screen Tuchler NEVE, semi-matt white, for rear and front projection 8m x 6,5m
– 1x large-format motorized projection screen JT Motors Jumbo 27 TT DGUV Light 7×6,5m, placed in front of the curtain behind the batten N1
Special technology
– 1x Tuchler KABUKI controlled dropping system with DMX control, 6x KABUKlip units
– Synchronisation of moving technology, lighting and projection technology using SMPTE LTC linear timecode, workstations of assistant production manager and livepost workstation equipped with Rosendahl MIF4 timecode readers
– 1x mobile drive of scenery controlled by the ITEMS control system, connection points on stage and in the revolving stage.
Mozart Hall
A hall sized 10.8 x 29m, maximum height 7m
– the hall can accommodate a maximum of 360 persons (theatre style)
– the space is not equipped with any permanent stage technology and cannot be completely darkened.
– The hall includes a copyrighted painting and historically valuable architectural elements
– The main lighting of the hall consists of dimmable fluorescent luminaires, controlled in three zones. There are also ambient discharge luminaires in the ornamental ramp and an RGB+W LED strip. All luminaires can be controlled via DMX.
– Power supply connection point 400V/32A/5P (max 20A)
Reduta Sketchup
Reduta Soundvision